
Aster Lit: Reprise
Issue 13—Spring 2025
Recycled Consciousness
Joanne Hwang, United States
My mother knew me in 1977—thirty-one years before I
drew my first breath.
A maternal dove leaned
between her breasts and scratched roman numbers onto
her skin. The big hand, as it swept, eclipsed with the
infant hand at 11. Its lines
reminded her of dried moss
that slouches over my headstone in Jeju’s forests.
My mother knew me in 2004—four years before she knew
I would be named
After morning’s calm; an
expectation bundled into the dawning hours I would fail to reap.
The peaking waves at Rockaway were tumultuous when she witnessed
my adrenaline-ridden eyes
in the heart of a military
man while ashes floored the Atlantic between them and home.
My mother knew me in 2008—months before her father
became an evergreen.
She reached my nimble
fingers into an empty urn; to teach me absence while internalizing
presence from the crevices of her body. She held me over his coffin;
so a carcass could model
my reflection—
and recycle his consciousness into my malleable skull.
My mother knew me in 2021—years before I would ever
dare to know myself.
She held my limbs up
to sterile fluorescence so that her veins would not puncture
from the torrent of superficial waterfalls—so her feet would not
trip over the ridges that
line my shoulders—so
her heart would not stone from the welding of her tears—so,
my mother knew in me—in every moment of the carousel
of her existence. She
knew me when she
heard the towers collapse on her radio. She knew the ways
her veins and arteries would intertwine bones, and to bind
her to me before
she dug into the soil.
Joanne Hwang is a 16 year old writer from Brooklyn, New York. She attends Stuyvesant High School where she writes and edits for the Opinions Department of her school newspaper The Spectator. She primarily writes poetry and personal narratives as a consequence of being an emotional-driven person. Other than chasing adrenaline in the theater, she is inexplicably fascinated by education injustices, run-on sentences, and her writing reflects the temperamental nature of everything around her.